As Much of the Universe

This morning, I’m thinking about Fernando Pessoa (or Alberto Caeiro?)’s The Keeper of Sheep, VII:

From my village I see as much of the universe as can be seen
from the earth,
And so my village is as large as any town,
For I am the size of what I see
And not the size of my height…

In the cities life is smaller
Than here in my house on top of this hill.
The big buildings of cities lock up the view,
They hide the horizon, pulling our gaze far away from the
open sky.
They make us small, for they take away all the vastness our
eyes can see,

And they make us poor, for our only wealth is seeing.

I went up the monte twice yesterday, once in the morning with Alqo to stretch our legs, and again in the afternoon before sunset with both Patricia and Alqo. Toward the top, there is a fork in the path. We’ve always turned right, which leads us a little bit further, past a grove of oak, and ultimately to the winding road we live on, further down the monte.

Instead, we turned left. With my new eyeglasses, I can see much clearer (my prescription doubled since the last time I changed them, which was far too long ago). And the view that awaited us when we reached the actual top was spectacular.

We could see the other forest path that we take often, that leads past an isolated goat farm with two very protective dogs, past the heavily-shaded area where Alqo ran off to chase a deer a few days ago after sunset and left us a little distraught and searching for him in the dark for what felt like an eternity, and towards another village, A Aira Vella (pop. 6) that we walked to, meeting only an older woman and three dogs. We could see the rain in the distance and a section the autovía. Some of the trees are turning a faint yellow and brown, adding to the autumnal feeling.

I remembered Pessoa and specifically The Keeper of Sheep, how I was able to share him with a fellow Peace Corps friend, how his translated poetry found me at the time I needed him, how I used read him on the veranda in my small village in Sierra Leone, and our short life in an apartment in downtown Cologne; the constricted vision, and how my walks with Alqo were confined to a city block.

All of it was written in some sense, necessary to have this moment of pure gratitude up there of where we are now, what we do, and who we aspire to be.

I’ll hold on to this feeling for the day.

Using Time in the Margins

A thing I need to get used to about the working-from-home lifestyle is utilizing the time in between commitments to be more productive. When I was teaching full-time in Mauritania, I was more carefree on breaks between classes. I considered them downtime, a space to breathe, to rest the mind, and prepare for the next lessons.

Now, I have things to do around the house, errands, and other projects I want to complete, like writing or reading. Sometimes I have hours between classes and I need to make the most out of them.

The Long Road to This Year’s NaNoWriMo

“Writing fiction is intense. It’s a drug you don’t swallow. You just sit there hallucinating and jotting down your hallucination and then you call it work. It is a socially acceptable form of madness. — Matt Haig

A couple of years ago, I decided I wanted to (try) to write fiction. Specifically, I wanted to write a fantasy novel based on West Africa. Back then, I was fascinated with world-building, turning my interest and years in the region into something analogous but different. I started at the macro-level, some societies; their customs, languages, histories, myths, religion. I had four of five at one point, but now only three. But I had no
characters or any story.

A few months before National Novel Writing Month, I wrote a blog post about it (on the first iteration of Among the Stones, mercifully no longer online).

Instead of diving head first into a novel, I would take a year a write a few novellas, one for each of the four main characters in my head, to introduce them and set them on a crash course of what would surely become an epic novel. (Ha.)

I would have time to write on the road after I finished teaching in Mauritania. Over the months, characters started to emerge and become so lifelike in my head. A story slowly popped itself into existence. But still there were very little actual words on paper. I had maps, outlines, character sheets, bits and bobs of ideas, an infusion inspired points; Islam, Afro-Portuguese colonialism, entheogenic plants visions, etc.

But still nothing. NaNoWriMo came and went. And another one. Nothing.

I finished my trip without much writing but more inspired than ever. I returned to my home state of California, the concrete suburbs with a Starbuck’s and McDonald’s on practically every corner. It was a culture shock. I wasn’t hiking, seeing brutal Nature up close and personal like glaciers, lakes, rivers. Then I moved to a city in Germany and again, nothing. No time, no peace of mind, no writing.

“Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you.“ — Ira Glass

By now, dear reader, you might have guessed that all these moves, environments, living situations are just excuses. The point is I was, and still am scared to get my ass in the chair, write to the best of my ability (which isn’t very great), and be okay with that first terrible draft.

But wallāhi, that ends this year. I am in a peaceful village in Galicia, I have an income, and I have an incredible ability to wake up early and get started. So it’s now or never. Which is way I am committing myself by writing this blog post. During November, please hold me accountable.

I’m scrapping the novella ideas and going straight into a 100,000 word novel, 50,000 or which will be written in the month of November. My idea is an amalgamation of the Mandé hero (PDF) and old western novels set in 18th century Upper Guinea.

And after, there are so many places I want to take these stories. I have an urge to stay in this world with these characters for a hundred years. At one point in Mexico, I filled my notebook with a trajectory of three trilogies and twelve novellas. That might be overdoing it. But I’m an extreme person. Yeah, sometimes I’m just too much.

Here’s to the next week of compiling everything I’ve written down and starting at midnight on November 1. For anyone interested in also participating, I’d love an accountabili-buddy. Give me a shout.

Entre as Pedras

One of the best things about living where we do is the lush flora, with trails and paths everywhere along and protruding from the riverbank. We can explore our surroundings on foot, without the need of a car to reach a trailhead.

A few days we took Alqo to a wide open space. Unofficially designated as the dog park of the town, there weren’t others dogs for him to play with. It had rained the whole day before and we weren’t ready to head up the monte to cloister ourselves up by our heater, so we started down a path following the river. It turned in to a 6 kilometer out-and-back, leaving town behind, crossing the river, and heading deeper into the forest.

These paths bring back so many memories of Sierra Leone. The foot paths from my village in Loko country led to smaller settlements, passing upland farms, palm plantations, sacred bush for gbangbaní ceremonies, and irrigated swamps for rice farms. The human interaction with the physical environment was minimal but symbiotic. You could see palms with a small plastic container hanging from the tree collecting palm wine, or a bundle of sticks with thread and a lock, signifying some type of swear that a moriman had constructed, for a price, to protect the property or harvest of another. While there are no fetishes, we could see the land was cared for in a wild way. There were mossy stones organized as small walls or boundaries, and small plastic water bottles hanging from young castaños (we’re still unclear what function they serve).

We saw a lot of quartz on the walk too. Even up on the monte the cloudy white rock is everywhere.

Despite the cold and rain, I’ve been outside every day. It’s quite a change from living in Cologne, and it’s much appreciated. Nature is close, and I feel it.